Anne Kenyon’s new works in pastel are a product of a frustrated desire to travel and a recognition of the beauty and safety of home, tied together by WATER.  What are the colors of water?  What’s visible?  What’s covered up?  How to convey the contrasts between liquid and solid? What’s reflected on the surface?  And how to convey all of this in pastel, a dry painting medium?  While the work in this show is by no means abstract, the Tidal Pool Series is not typical landscape either.  Nor is it typical Maine.  The Spring Creek Series is as much about reflection as it is about landscape.