Past Exhibits

"One Farm: Multiple Perspectives"

Members of the Farmland Preservation Artists of Central Pennsylvania were looking for a project when they settled on interpreting the Hodge Farm in Penns Valley. Their goal was to capture in paintings or photography multiple perspectives over a one-year period that began in May of 2015. The results are the show "One Farm: Multiple Perspectives."

Although the farm contains 145 acres, most of the artists stayed within an area around the farmhouse, the barn and various utility sheds. The barn is the most historical treasure of the Hodge Farm. Dating from the 1830s, this enormous double bank barn structure was constructed of Pennsylvania yellow pine.
History emanates from Hodge Farm. Hugh and Barbara Hodge insured it always would when they donated an agricultural conservation easement to the Centre County Farmland Trust in May 2003. This easement was significant—it was the first farm permanently preserved by the Trust and it was the first farm preserved in Penn Township.

Several FPA members are plein air painters and spent hours at the farm interpreting through water color, oil, pastel or acyclic. Others photographed and worked from home. So the perspective is not only where they stood, but which medium they chose. Add to that the season and yet another perspective comes into play. The members also interacted with the two Amish families that owned the property during the project. One of the children showed an interest in painting and shadowed one of the artists. Another member of the group gave some of his work products to the family.

The Farmland Preservation Artists of Central Pennsylvania formed in late 2005 as a joint enterprise of the Art Alliance of Central Pennsylvania and the Centre County Farmland Trust. The group promotes the preservation and appreciation of farmland through the visual arts. Portions of their sales are donated to the Art Alliance and the Farmland Trust. Farmland placed in agricultural conservation easement is permanently conserved for agriculture purposes regardless of ownership. To date, more than a thousand acres has been preserved on 11 farms.

Farmland Preservation Artists have a gallery at The Field restaurant at Toftrees. The artists are: Denise Wagner, Milt Trask, Lena Thynell, Jennifer Shuey, Barb Pennypacker, Valerie Moyer, Jeff Mathison, Karl Leitzell, Cinda Kostyak, Peggy A. Klinger, Anne Kenyon, Susan Nicholas Gephart, Marianne Fyda, Holly Fritchman, Kim Flick, Brienne Brown, R Thomas Berner.

Fridays, Saturdays and Sundays: 12:00 to 4:30 p.m. OR By Appointment
Sep 30
Nov 27

"Cuban Art, A Family Workshop"

Reception: September 4, 2016 from 1 to 4 pm

The Bellefonte Art Museum for Centre County is proud to bring to Pennsylvania an exciting collection of art works created by an important family of artists from Cuba. The show is a collection of original prints and paintings from the studio of a Cuban family of artists who work in various roles in the studio and printshop. The original Maestro of this family has passed away but Carlos Rene Aguilera Tamayo is the main force in this show and guides his family who continue to create, paint and print. The family is dedicated to perpetuating the tradition of graphic art printing in Cuba. In addition to Cuba, the artist Aguilera family have shown works in New York, the Dominican Republic, and throughout Eastern and Western Europe and Latin America.

The art works are stylistically diverse reflecting both the social issues and the beauty of this colorful region of the world. Using a surrealistic style, the paintings are filled with action and excitement. The works are created around strong themes and stunning images, especially the reoccurring bear. Gorgeous shading gives the works depth and dimension.

The exhibition is a collection of works borrowed from the artists and from private art collections and curated into an art show by guest curator, Laurie Beasley. Beasley, who is based in Chicago, has been with us in the past and curated the very popular exhibition we mounted of Haitian Metal art works.

Cuba has long been recognized as a place of extraordinary artistic production and this show will be a first time for many visitors to experience the art of the island. We are especially pleased to announce that Carlos Rene Aguilera Tamayo from Cuba helped hang the show and was with us in early August for several interactive experiences with local artists and members of our community.

Beasley explains the importance of this collection with, "In the 1960's, Maestro Aguilera's original goal was to establish a print workshop for the city of Santiago, Cuba, to keep alive the graphic arts tradition in Cuba." This goal was realized and continues today!

Windows on the World Gallery - 1st Floor

Fridays, Saturdays & Sundays from 12:00 to 4:30 p.m. OR By Appointment
Aug 5
Sep 27

"The Face of Nicaragua" Photography Exhibit by Ron Matason

Ron Matason -State College, PA

Photography has been a major part of my life since childhood. After high school I worked in a photo studio at an advertising agency and then learned motion picture photography courtesy of the US Army in 1967. After graduating from Penn State in 1975, I started PhotoTec, a commercial photography business. In 1982 I joined the College of Agriculture at Penn State and worked with photography, video, and visual communications until retirement in 2011.

This exhibit “The Face of Nicaragua” was photographed over a fourteen-day period in May, 1988. I visited in the cities of Managua, Boaco, San Raphael del Sur and the Bluefields. The Sandanista Revolution was all but over and the counterinsurgency by the US backed “Contra rebels” was in its final days. Incursions of Contra forces based in Honduras were still happening but, for the most part, peace talks were succeeding and the people were working to get normalcy back into their lives.

During my travel, I was fortunate to have fallen in with many people of good will. I was able to meet with educators, disabled veterans, families, medical professionals, “Sandalista” ex-patriots from the USA, and even a poet. I met the poor in the barrios surrounding my Hospedaje and met the traveling US politicians on junket and staying in the Managua Intercontinental Hotel. I met children who were forced to serve in the Contra army and were then facing conscription into the Sandanista Army. I experienced wonderful friendship and hospitality in the Bluefields, that fragile coastal town that was to be all but destroyed by a hurricane just a few months later.

Overall, I was humbled by the friendship of the people. Everyone I met, wanted peace. Some were already benefiting from increasingly better health care and improving educational opportunities. But there were still very young children missing school to sell homemade candy on the streets. Most of the non-political class people just barely eked out survival. Many received food assistance in the form of a family ration of a kilo of rice and a half liter of cooking oil each month. And yet they were able to smile and offer a portion of what little they had if someone needed it. The young men I met wanted nothing more than the opportunity to work and earn a living and to avoid military service.

These photographs were made with black and white and color negative film and color transparency film and were copied to digital files for editing and printing. When I look at these photographs today I have to wonder… What are they doing now, twenty-eight years later?
What has become of them?

Photography Gallery - 2nd Floor

Fridays, Saturdays and Sundays: 12:00 to 4:30 p.m. OR By Appointment
Jul 1
Jul 31